Showing posts with label teaching. Show all posts
Showing posts with label teaching. Show all posts

Tuesday, April 2, 2013

Lowry's Giver and Orwell's 1984: Significant Parallels

A great deal of controversy surrounds Lois Lowry’s novel The Giver. The controversy varies depending on the topic. Ironically many people believe the novel should be censored. “The irony of censorship attacks on the novel is that The Giver dramatizes the plight of an individual living in a society that censors its peoples’ language, emotions, and behaviors” (Lord). First, parents throughout the country believe the book should be banned from schools due to adult themes. Next, many feel the book has too many similarities to other books about dystopian societies. Finally, because Lowry chose to leave the ending up to the reader, people tend to overlook the positive message that can be taken from such a book. Whether it be due adult themes, similarities to dystopian societies, and the ambiguous ending, we must decide for ourselves whether The Giver should be removed from school shelves.

Though it is true there are adult themes throughout the book such as infanticide, euthanasia, the broken down family unit, and censorship; the book can be used as a tool to teach young adults about the world around them. Lowry wrote the novel specifically for young adults. However, it is argued the language and visualizations Lowry chose to use is horrifying and disturbing to young adults. However, as a society, we must not forget that many of our fairy tales were originally just as horrifying and disturbing in order to teach valuable lessons to young adults. For instance in Hansel and Gretel, the youngsters did not conquer the witch and return to their grief stricken father. In fact the story was written to warn children not to wander off in the woods, for they did not know what could be awaiting them. It could have been a hungry witch as in Hansel and Gretel, a starving wolf dressed up as your grandmother as in Little Red Riding Hood, or even a rapist waiting for a fair maiden to fall asleep for him to ravish as in Sleeping Beauty. Just as these stories provided valuable lessons to the youth of centuries past, The Giver provides a valuable lesson to the young adults of today.

In today’s society people scream for more and more governmental control of what our young adults are exposed to. Lowry’s novel has gone under much scrutiny because parents are afraid of the adult themes. Depending on a person’s viewpoint, infanticide is not present in the United States (some may argue abortion is infanticide); neither is euthanasia. However, because infanticide and euthanasia is still practiced in other cultures throughout the world, it is important that young adults construct their own viewpoints of the brutal practice. To Jonas and the others in his community, infants were released into “Elsewhere.” Unless the person’s job was to release an individual, they were left oblivious to the true meaning of “release.” When Jonas’ father releases the smaller twin, he lacks the apprehension most readers would expect if told to kill a newborn child. This scene is one of the most scrutinized scenes in the novel. “Would-be censors object to the scene because it is so graphic, and because it transforms Jonas’s once beloved father into a cold-blooded murderer” (Lord). However, without scenes like these, young adults would be left to wonder why emotions are so important to an individual. If the emotions are stripped away from society in such a manner, there could be another excepted massive holocaust as seen in Nazi Germany.

Furthermore, the breakdown of the family unit is one other criticized theme in the novel. The government chooses the family units, relationships are never consummated, and the children are assigned to certain parents. Jonas’ world is void of grandparents as well. Because the parents are removed from their children, as they become adults, they are not allowed contact with their grandchildren. Family values and memories are not passed down through the generations as they are done today. This leads to the lack of individuality that Jonas’ society is all about, or as they call it “sameness.” Jonas the Receiver and the Giver are the only people in the community that hold on to the memories that give wisdom. Because everything is nearly perfected in organization, people are left with no control of their own destinies. They have no choices to make because committees have made all of those choices for them. Too much governmental power is what the constitution has been written to prevent. People must learn at a young age they have choices to make throughout their own lives. Every choice that the child makes affects his or her future. The best way to teach a child how important it is to have the right to make choices on their own is to give them examples of societies where one’s destiny is not in their own hands. A society where individuals have lost control, which may be painted as utopian societies; however, they are, in fact, dystopian societies in which control is left to a Totalitarian regime.

The similarities between Jonas’ community and the dystopian communities in other novels is also reason for controversy surrounding The Giver. Lowry’s novel can be viewed as George Orwell’s 1984 for young adults, because of the many similarities between the two books. Patty Campbell states, “At first it seems to be an autocratic state – an impression that is given credence by Orwellian images such as the rasping voices that chastise from ubiquitous speakers.” This is very similar to the chastisement Winston Smith receives during the lack of his full attention to his physical jerks. However, the main differences between the two societies is the loudspeakers in The Giver do not single individuals out; whereas the voice from the telescreen screamed, “Smith!...6079 Smith W! Yes, you! Bend lower, please! You can do better than that. You’re not trying. Lower, please!” (36). Another similarity is the Receiver possesses memories that society wanted to forget, and Winston possesses memories the Party wants rewritten and forgotten. Furthermore, rule breakers are released in The Giver. However, rule breakers in 1984 are not allowed death, but they are forced to release their identities, thoughts, and ideas. Then they are forced into conformity or “sameness.”

Additionally, the two novels have the biblical allusion of life, death, and resurrection. Jonas is the different from everyone else during his life, but does not call attention to his gift to see beyond. Like everyone else, he takes a pill to suppress his stirrings; Jonas lives in his community of people just as everyone else does. When Jonas first becomes the receiver, he looses the identity, which was forced upon him. Jonas loses his innocence and becomes aware of the society around him. This is the death of his sameness; and Jonas is resurrected as an individual who makes his own memories, and is the salvation of his community. Likewise, Winston’s life death and resurrection story is similar as Jonas’s, but at the same time, it is completely opposite. Winston begins as a freethinker with ideas that could save his community. Like Jesus, his ideas and lifestyle is dangerous to the totalitarian regime that controls the populous. Therefore, he is spiritually executed and forced to conform to the masses. In the end Winston is resurrected as the shell of the man he once was. He is left with no emotion and a sense of helplessness. The reader does learn, however, the citizens in The Giver did chose their way of life; but because the memories and histories are kept from them, the reader is left to wander if they made the choice willingly or if the choice was forced upon them as in Winston’s case. After all, Jonas himself wonders how much he has been told is the truth, or how much of it may be the lies individuals are allowed to tell. It is confusing why people fear novels, which warn against the horrors and atrocities one may face in a dystopian society. Perhaps it is due to the violent themes these societies suggest. However, there are only two ways people can learn about the horrors and atrocities of dystopian societies. They either learn from first hand experience, or they learn from reading. In order to prevent such atrocities from happening in the future, it is crucial that young adults learn about them when they are young.

Another source of controversy is the ambiguous ending Lowry has given to her story. “Lowry refuses to provide a tidy ending” (Campbell). This leaves the readers to draw their own conclusions about the ending. Either readers feel Jonas and Gabriel died, or readers are more optimistic and believe that Jonas and Gabriel found their happy ending. They were accepted into a family like the memory of the Christmas gathering. The vague ending has caused people to believe young adults will be distraught if they feel the young adults have passed away. Because there are many Biblical allusions throughout the novel, it can be assumed if Jonas and Gabriel died, they entered the Kingdom of Heaven.

As mentioned before, Jonas is the savior of his community. He is given a gift to see beyond, which no one else has. Also, Gabriel’s name leads readers with a Christian background to believe the infant is a messenger sent to deliver revelations to Jonas. Without Gabriel’s attachment to Jonas, the meaning of release may not have been fully revealed to Jonas. Gabriel’s impending release announced the resurrection of Jonas as the savior of his community. Finally, the name Jonas is a variation of Jonah, who was called by God to “Go to the great city Nineveh and preach against it, because its wickedness has come up before me” (Jonah 1:2). Like Jonah, Jonas is scornful of the wickedness in his community. Because preaching against their ways would mean release for Jonas, the only way he can help them is to leave them with their memories so they can become whole again, so they can feel again. The Biblical undertones to The Giver supports the idea this novel is appropriate for young adults. One way people can strengthen faith in other people is to challenge that faith. This book can be used as a tool to strengthen Christian faith in young adults.

So, is The Giver an appropriate novel for schools? It seems many values and morals can be taught from reading the book. The book is written in a manner that leaves questions open in the reader’s mind; thus, it teaches them to think for themselves. Furthermore, Lowry’s novel is appropriate to teach young adults how important the choices they make for themselves are toward their own future. Unlike George Orwell’s 1984, the novel is appropriate for the younger adults, because they, too, need to learn the world is not as picture perfect as they may believe. This notion can light a spark in young adults’ minds, which can lead the way for the freedom of people who are oppressed or wrongfully executed. Furthermore, the book does not harm Christian faith in young minds. In fact it can strengthen that faith. This novel can challenge the minds of the readers. Therefore, it should not be removed from schools. The purpose of sending young adults to school is for them to learn about the world around them. It is just as crucial for young adults to learn the world around them is filled with injustices, as it is for them to learn the world can be a just place. The way young adults learn is by challenging their minds, not sheltering them.

Works Cited

Campbell, Patty. “The Sand in the Oyster.” The Horn Book Magazine. Vol. LXIX.6: Nov.-Dec. 1993: 717-721.

Holy Bible, The. New International Version. Grand Rapids, Michigan: The Zondervan Corporation, 2005.

Lord, Elyse. “The Giver.” Novels for Students. Gale Research: 1998.

Lowry, Lois. The Giver. New York: Delacorte, 1993.

Orwell, George. 1984. New York: Signet Classics, 1977.

Monday, March 25, 2013

Staying Fat for Sarah Byrnes

Chris Crutcher’s novel Staying Fat for Sarah Byrnes is a riveting novel about the pains of growing up both in a dysfunctional home and as an outsider in the teen scene. This touching story is packed full of believable characters and believable situations. It is a novel that often is considered for censorship, but is also a novel that could teach a great deal to young adults. It is a novel that can change the worlds of so many people who may need compassion and a helping hand.

For many young adults, growing up is painful, and compassion is difficult to find. According to Childhelp, an organization dedicated to meet the various needs of abused children, over three million cases of child abuse are reported each year. However, “experts estimate that the actual number of incidents of abuse and neglect is 3 times greater than reported” (Childhelp). This is a larger problem than many would like to admit, but Crutcher has done a great job bringing this issue to the forefront in this novel. Both Sarah Byrnes and Dale Thornton live with the problems, which arise from being raised in an abusive home. Sarah is a prankster who laughs at everything. Dale is a bully that passes on the abusive treatment he has received and learned from his father. They both have built up a wall between themselves and the world. Neither child has an adult they can trust, and they are both fully aware that telling what happens in their homes would only cause more trouble. As we learn more about Sarah’s father, it becomes quite clear why the child would fake a catatonic state.

Though it is hard for many people to understand why a child would rather spend time in a psychiatric hospital than their own home, people who have been in Sarah’s situation know when there is too much physical pain, a person will do almost anything to get away from it. Her situation is just as believable as every other situation in the book. Crutcher’s background as a therapist has served him well in writing this novel. Amazingly, Sarah does not pity herself the way she does the children who have the emotional and mental scarring inside; she does not believe she is like them. It is not until she writes the letter to Eric that she begins to realize that she acts tough and mean to hide her own pain. Sarah is not the only character whose true-to-life dysfunctional family is noticeable. Mark’s family, though not physically abusive, is just as dysfunctional than Sarah’s. Mark’s father pushes him so hard to be the perfect son that he makes bad decisions which leads to his suicide attempt. Though the father feels he is a good Christian man he has forgotten the words of his Messiah, “Let the little children come to me, and do not hinder them, for the kingdom of God belongs to such as these” (Mark 10:14). The pressure from Mark’s father has deterred the young man from his Christian responsibility to uphold the rules set down in 1 Corinthians 6:12-20, which basically says we should not fornicate. Sure Mark can spin a fine yarn as he stands upon his pulpit preaching about the sins of abortion; however, he does not seem to be able to practice what he preaches. Is this situation believable? Yes, it is common for people to fail to be able to refrain from the sins they preach against. This is seen every day in newspaper headlines across the country.

Another situation that makes the novel believable is the situation with Carver. He goes after Virgil Byrnes and ends up beating him in a questionable bout of self-defense. Many novels give the happy ending to the hero that caught the ‘bad guy,’ but Crutcher does not give the happy ending we are expecting; Carver does receive some jail time. Another unhappy ending component is that Sarah’s mom refuses to save her daughter from ongoing pain and suffering, both physical and emotional. According to the Department of Health and Human Services, “Mothers are found to be the neglectful parent in 72% of neglect cases.” All of the other situations in the novel are believable as well. According to Contemporary Authors Online Chris Crutcher has said, “It is a joy to write a tale that is believable, that is real.” Crutcher goes on to state, “Working in the mental health field provides me with some unique perspectives on the human drama – how people get stuck and how they grow” (Contemporary). Crutcher’s novel Staying Fat for Sarah Byrnes is unique because of this perspective that he feels so fortunate to have.

Although the characters are believable and the novel is unique, Staying Fat for Sarah Byrnes is often considered for censorship. In 2005 a mother in Westmoreland, New York wanted the novel to be pulled from the high school curriculum due to its “graphic language.” Though she took her attempt to the school board the superintendent Toni Kulak stated, “We’re going to continue to use the book because we think it’s valuable to our students” (School, 20). Though the novel does have some strong language and the issues raised in the novel may make people a bit uncomfortable and on edge, the novel is a powerful novel about the hardships many young adults face. This novel can give a teacher of young adults many opportunities for class discussion. For instance, in a school with high pregnancy rates, a sexual education teacher could use the novel as an outlet for class discussion about the effects of unprotected sex and abortion. Similarly, in a school where bullying is an issue, the teacher can use the novel to spark discussion on how Sarah must have felt when she was called “Scarface” by her peers, or how Eric must have felt when people called him “Moby” or “Fatboy.” There are many other topics for potential discussion in the novel. Censoring a novel with so much potential for molding young minds into compassionate minds would be a critical mistake.

Though Crutcher’s novel is marketed as a novel for young adults, the novel is suitable for adults. This novel is packed full of believable situations that many people can relate to. It can be used to teach adults and young adults about the hardships of growing up in an environment that they may not have experienced. It can be a tool for young adults who are experiencing such living environments to realize they need to learn to trust other adults, and not all adults are bad. Furthermore, the book can be used as a valuable tool for every high school classroom. In conclusion, this novel is a powerful novel that can change the world of many adults, both young or old.